| Sep 10, 2010
Davis Guggenheim’s new film, Waiting for “Superman,” is set to open in New York and Los Angeles on September 24, with a national release soon to follow. It arrives after a triumphal debut at Sundance and months of buzz-building screenings around the country, all designed to foster the impression that Guggenheim has uncorked a kind of sequel: the Inconvenient Truth of education.
“Superman” traces the stories of five children—all but one of them poor and black or Hispanic—and their parents as they seek to secure a decent education by gaining admission via lottery to high-performing charter schools. At the same time, the film is a withering indictment of the adults—in particular, those at the teachers unions—and a paean to reformers such as Canada and Michelle Rhee, chancellor of the Washington, DC, public schools, who has waged a campaign to overhaul the dysfunctional system over which she presides.
“The movie is going to create a sense of outrage, and a sense of urgency,” says Arne Duncan, Barack Obama’s secretary of Education. New York City schools chancellor Joel Klein concurs. “It’s gonna grab people much deeper than An Inconvenient Truth, because watching ice caps melt doesn’t have the human quality of watching these kids being denied something you know will change their lives,” Klein says. “It grabs at you. It should grab at you. Those kids are dying.” Read more in The New York Times online.